aasc press > moving the image

Asian American Studies Center Press

Moving the Image: Independent Asian Pacific American Media Arts

By Russell Leong
Publisher: UCLA Asian American Studies Center Press

350 pages, 8.5 x 11 inches, 433 photographs/illustrations

Softcover Edition - $24.95

ISBN: 0934052131

Moving the Image is the most comprehensive effort to define independent Asian Pacific media arts and to describe its course from 1970-1990. The words, essays, and statements by the fifty media artists and cultural workers in this book challenge, celebrate, and contradict each other. Over ninety film stills and archival photos from the early 1900s to the 1990s illustrate this volume, designed to be used as a creative sourcebook and as an introductory text.

TABLE OF CONTENTS

Preface
Linda Mabalot

Introduction: To Open the Future
Russell Leong

I. Moving the Image

A History in Progress: Asian American Media Arts Centers 1970-1990
Stephen Gong

Moving the Image: Asian American Independent Filmmaking 1970-1990
Renee Tajima

Back to Real Asian American Filmmaking
John Esaki

Conversations: An Experiment in Community-based Filmmaking
Karen Ishizuka and Robert A. Nakamura

II. Through Ourselves

To Commemorate My Grandfather
Van Troi Pang

Strategies of an Asian American Filmmaker
Loni Dang

Q & A
Christine Choy

Center the Margins
Richard Fung

The (Sorry) State of (Independent) Things
Gregg Araki

"Of Life and Perversity": Wayne Wang Speaks
Janice Sakamoto

III. Routes of Passage

Until the Day Breaks: Nationalistic Film and Video Movement in Korea
Hye Jung Park

Thailand - Not Taiwan: A Play in One Act
Nicky Tamrong

Bold Omissions and Minute Depictions
Trinh T. Minh-ha

Radio And The Third World: The Case of the Phillippines
Maricel Pagulayan

Paris in Tokyo in L.A.
Bruce Yonemoto

The Making of Halmani
Kyung-Ja Lee

Investing in Positive Images
Peter Wang

Asian and Asian American Cinema: Separated by a Common Language?
Luis Francia

IV. Pacific "Truths"

The Reel Hawaii
Diane Mei Lin Mark

V. Beyond the Big Screen

For the Asian American, Afro-American, Native American and Mexican American Filmamakers and Their Friends
Carlton Moss

Mandarins in Hollywood
Charles L. Leong

Modernizing White Patriarchy: Re-Viewing D.W. Griffith's Broken Blossoms
John Kuo Tchen

James Wong Howe: The Chinaman Eye
Frank Chin

Final Mix: Unscheduled
Yoshio Kishi

Pioneers and Groundbreakers
Yoshio Kishi

VI. Living Below the Line

Don't Let Them Know
Geraldine Kudaka

Making the Cut
Irvin Paik

"Suckcess" Above the Line: From Here to Obscurity
Curtis Choy

Characterizing Costume
Terence Tam Soon

It's America
George Leong

Dear Spence
Michael Chin

VII. Directing Memory

Rojak
Cheng-Sim Lim

"What Is It About This World?"
Supachai Surongsain

Rituals Revisited
Cindy Hing-Yuk Wong

Electrons and Reflective Shadows
Janice Tanaka

An(Other) Reflection on Race?
Roddy Bogawa

Labtalk
Mar Elepano

VIII. Into Frame

Bitter Soup
Arne Wong

Moving the Image, Removing the Artist, Killing the Messenger
Daryl Chin

Ten Things I Hate About America: Notes from a Frustrated Young Filmmaker
Jon Moritsugu

Rshomon Blues
Anthony B. Chan

Video Art: How Many Voices?
Art Nomura

Spiritual Quest
Fu-Ding Cheng

On Experimental Video
Valerie Soe

Earradiation: "Gold Mountain" Radio
Theo-dric Feng

IX. Who's Listening

Surviving in This Place Called the United States
Esther G. Belin

Public Media: Serving the Public Interest?
James Yee

"The Last Game Show": A New Production Strategy
Norman Jayo

A Talk Story Poem for Open Dialogue III
Peter Nien-chu Kiang

 

 

 

 

 

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